in utero ve bleach in yeri tartismam amma velakin benim icin 3.siraya girebilecek nirvana albumudur. nevermind ile baslayan bunyeye biraz garip gelebilir, hatta zat im gibi bleach le baslasa bile garip gelecektir zaten albumu guzel yapan budur benim icin. deneyselligi ve icinde zonk diye tum kitleleri vurabilecek bir parcasi olmamasina ragmen dinleyince icine dustugun ruh hali tanimlanamaz ve baska bir nirvana albumunde de tadilamaz. bu ruh hali icin bi tanimlama yapmaktan acizim big long now dinlemekten kaymis bunyemle an itibariyle

(maybe just happy - 6 Mart 2007 04:08)

1.dive
2.silver
3.stain
4.been a son
5.turnaround
6.molly's lips
7.son of a gun
8.(new wave) polly
9.beeswax
10.downer
11.mexican seafood
12.hairspray queen
13.aero zappelin
14.big long now
15.aneurysm
şarkılarından oluşan nirvana albümü. albümün kapak resmini kurt cobain çizmiş ve bir arkadaşı olarak tanımlamış.

(lucretia - 20 Aralık 2002 22:11)

10 sene (daha fazla) sonra tekrar plaga basilan album, remaster super olmus, 180 gram, cillop. aliniz.

(zad - 24 Şubat 2011 06:11)

(bkz: outcesticide)

(spacetimereality - 25 Ocak 2003 13:22)

(bkz: pesticide)

(unsaid - 24 Şubat 2003 20:40)

kurt cobain'in cinnet anlarından birinde olduğunu hissettiren hairspray queeni barındıran albüm..

(hala pek bi superkahraman - 26 Nisan 2003 18:44)

harf oyunlu cin album adı.

(bosgezen - 14 Şubat 2001 14:28)

yeni sarkilarin yer aldigi parcalardan (bkz: hairspray queen), (bkz: aero zeppelin), (bkz: big long now); yeniden yorumlanan eski kayitlardan (bkz: new wave polly), (bkz: been a son), (bkz: aneurysm); onceki baska toplama veya ep, lp albumlerde bulunan sarkilardan (bkz: dive), (bkz: mexican food), (bkz: beeswax), (bkz: stain), (bkz: downer); singlelardan (bkz: sliver) ve coverlardan (bkz: turnaround), (bkz: molly's lips), (bkz: son of a gun) olusan nirvana'nin 92 marka toplama albumudur. nedense bu guzide album cok goz ardi edilmistir ve edilmektedir. bleach'teki raw sound, in utero'daki doruk noktasi nirvana atmosferi veya kafasi ne derseniz artik ve nevermind'daki akilda kalici riflerin, melodilerin bir birlesimidir bu album. her nirvana sevene, siddetle tavsiye edilir.

(dunkirk - 27 Eylül 2013 12:10)

nirvananın 3. albümü.

(biztha - 5 Mayıs 2004 23:21)

derini kızartmadan yoğurur, yüreğini aşırır. beeswax'le başlayıp biten bölümünü, dinlediğim hiçbir albüme değişmem.

(nirvana - 14 Nisan 2015 17:32)

insecticide bocek oldurucu anlamina gelir. cin fikirli kurt cobain bunun ustunde kucuk bir degisiklik yapip incesticide haline getirmis, boylece albumun adini da ensest oldurucu koymustur.

(pissed - 2 Ağustos 2004 00:08)

(bkz: incest) (bkz: insecticide)

(tsan chan - 4 Ekim 2001 00:15)

ilginç, değişik bir albümdür... mesela bu albümde new wave polly diye bir parça vardir, nevermind'daki polly'nin hizli versiyonudur, birbuçuk dakikada peşinden kovalayan varmişçasina söylenir biter... sliver isimli, benim pek bir sevdiğim parçada 29 kez "grandma take me home" tekrar edilir... bu albümün ilk sekiz parçasi {dive, sliver, stain, been a son, turnaround, mollys lips, son of a gun ve new wave polly} çok güzeldir bence... lowlife'in da demiş oldugu gibi, diğerlerinin yaninda daha az tutulan albümdür, benden başka pek seveni yoktur...

(portakal - 20 Aralık 2001 13:55)

bu albumun piyasaya surulen ilk birkac bin versiyonununda kurt'un isyan niteliginde bir yazisi bulunur. daha sonra geffen'in zorlamasiyla bu yazi albumden cikarilmistir:

a while ago, i found myself in bloody exhaust grease london again with an all-consuming urge to hunt for two rare things: back issues of nme rumored to be secretly hidden in glass casings and submerged in the fry vats of every kebab machine in the u.k. and the very-out-of-print first raincoats lp.
the nme search was a clever, saucy upstart of an attempt to be, uh, nasty. however, the lord and julian cope himself know how we need, need, need the nme to embrace the unifying hands of our children across this big blue marble and nirvana's tarty musical career. so please bless us again - we'll forever feed off of your high-calorie boggy turbinates.

in an attempt to satisfy the second part of my quest, i went to the rough trade shop and, of course, found no raincoats record in the bin. i then asked the woman behind the counter about it and she said “well, it happens that i'm neighbors with anna (member of the raincoats) and she works at an antique shop just a few miles from here.” so she drew me a map and i started on my way to anna's.

sometime later, i arrived at this elfin shop filled with something else i've compulsively searched for over the past few years - really old fucked up marionette-like wood carved dolls (quite a few hundred years old). lots of them... i've fantasized about finding a ship filled with so many. they wouldn't accept my credit card but the dolls were really too expensive anyway. anna was there, however, so i politely introduced myself with a fever-red face and explained the reason for my intrusion. i can remember her mean boss almost setting me on fire with his glares. she said “well, i may have a few lying around so, if i find one, i'll send it to you (very polite, very english).” i left feeling like a dork, like i had violated her space, like she probably thought my band was tacky.

a few weeks later i received a vinyl copy of that wonderfully classic scripture with a personalized dust sleeve covered with xeroxed lyrics, pictures, and all the members' signatures. there was also a touching letter from anna. it made me happier than playing in front of thousands of people each night, rock-god idolization from fans, music industry plankton kissing my ass, and the million dollars i made last year. it was one of the few really important things that i've been blessed with since becoming an untouchable boy genius.

it was as rewarding as touring with shonen knife and watching people practically cry with joy at their honesty. it made people happy and it made me happy knowing that i had helped bring them to the u.k.

it was as rewarding as the last vaselines show in edinburgh. they reformed just to play with us in their home town, probably having no idea how exciting and flattering it was for us (and how nervous we were to meet them).

it was as rewarding as being asked to support sonic youth on two tours, totally being taken under their wing and being showed what dignity really means.

it was as rewarding as the drawings daniel johnston sent me, or the stinky puffs single from jad fair's son, or playing on the same bill as greg sage in l.a., or being asked to help produce the next melvins record, or being on the wipers' compilation, or thor from t.k. giving me a signed first edition of naked lunch, or making a friend like stephen pavlovic - our australian tour promoter who sent me a mazzy star lp on vinyl, or playing “the money will roll right in” with mudhoney, or having the power to insist on bringing bjorn again to the reading festival, or being able to afford to bring my friend ian along on tour just to have a good time, or paying calamity jane five-thousand dollars to be heckled by twenty thousand macho boys in argentina, or asking my friends fits of depression to play with us at the seattle coliseum, or playing with poison idea at no on nine benefit in portland organized by gus van zandt, or being a part of one of l7's pro-choice benefits in l.a., or kissing chris and dave on saturday night live just to spite homophobes, or meeting iggy pop, or playing with the breeders, urge overkill, the t.v. personalities, the jesus lizard, hole, dinosaur jr., etc.

while all these things were very special, none were half as rewarding as having a baby with a person who is the supreme example of dignity, ethics and honesty. my wife challenges injustice and the reason her character has been so severely attacked is because she chooses not to function the way the white corporate man insists. his rules for women involve her being submissive, quiet, and non-challenging. when she doesn't follow his rules, the threatened man (who, incidentally, owns an army of devoted traitor women) gets scared.

a big “fuck you” to those of you who have the audacity to claim that i'm so naive and stupid that i would allow myself to be taken advantage of and manipulated.

i don't feel the least bit guilty for commercially exploiting a completely exhausted rock youth culture because, at this point in rock history, punk rock (while still sacred to some) is, to me, dead and gone. we just wanted to pay tribute to something that helped us to feel as though we had crawled out of the dung heep of conformity. to pay tribute like an elvis or jimi hendrix impersonater in the tradition of a bar band. i'll be the first to admit that we're the 90's version of cheap trick or the knack but the last to admit that it hasn't been rewarding.

at this point i have a request for our fans. if any of you in any way hate homosexuals, people of different color, or women, please do this one favor for us - leave us the fuck alone! don't come to our shows and don't buy our records.

last year, a girl was raped by two wastes of sperm and eggs while they sang the lyrics to our song “polly.” i have a hard time carrying on knowing there are plankton like that in our audience. sorry to be so anally p.c. but that's the way i feel.

love,

kurdt (the blond one)

(pissed - 5 Mart 2006 22:27)