Süre                : 12 dakika
Çıkış Tarihi     : 14 Temmuz 2007 Cumartesi, Yapım Yılı : 2007
Türü                : Kısa Film
Ülke                : İrlanda
Yapımcı          :  Calipo Picture Company
Yönetmen       : Darren Thornton (IMDB)(ekşi)
Senarist          : Darren Thornton (IMDB)(ekşi)
Oyuncular      : Mary Murray (IMDB)(ekşi), Georgina McKevitt (IMDB), Anthony Brophy (IMDB)(ekşi)

Ödüller      :

Berlin Film Festivali:Prix UIP Berlin (European Short Film)


  • "kusaklara aktarilmadigi her gunun ayri ayri suc oldugu inanılmaz şarkı. bilenler bilmeyenlere aktarmalı, boynumuzun borcu bu."
  • "bob dylan in kanimca en guzel,en damar,en ucuk,en dogru,en hayatin icinden,en hayatin otesinden,en zamanlar ustu sarkisi."
  • "sometimes a man must be alone and this is no place to hide dizesine sahip inanilmaz sarki...ayrica yes that is right , eternity, though you might call it paradise...birisi beni alsin buralardan..."




Facebook Yorumları
  • comment image

    bob dylan in john wesley harding albumunden, sozleri ile insana hayatta ne yapmasi gerektigini adeta dikte ettiren, bir o kadar da guzel bir melodiye sahip akustik gitar tinili muthis sarki.

    sarkinin sonundaki ' the moral of this story, the moral of this song; is that one should never be where one does not belong' soz konusu dersin kapanis cumleleridir.dinlenmeli, kusaklara aktarilmali...


    (mybraveface - 12 Aralık 2004 01:31)

  • comment image

    kusaklara aktarilmadigi her gunun ayri ayri suc oldugu inanılmaz şarkı. bilenler bilmeyenlere aktarmalı, boynumuzun borcu bu.


    (mybraveface - 14 Şubat 2005 16:10)

  • comment image

    well, frankie lee and judas priest,
    they were the best of friends.
    so when frankie lee needed money one day,
    judas quickly pulled out a roll of tens
    and placed them on a footstool
    just above the plotted plain,
    sayin', "take your pick, frankie boy,
    my loss will be your gain."

    well, frankie lee, he sat right down
    and put his fingers to his chin,
    but with the cold eyes of judas on him,
    his head began to spin.
    "would ya please not stare at me like that," he said,
    "it's just my foolish pride,
    but sometimes a man must be alone
    and this is no place to hide."

    well, judas, he just winked and said,
    "all right, i'll leave you here,
    but you'd better hurry up and choose
    which of those bills you want,
    before they all disappear."
    "i'm gonna start my pickin' right now,
    just tell me where you'll be."

    judas pointed down the road
    and said, "eternity!"
    "eternity?" said frankie lee,
    with a voice as cold as ice.
    "that's right," said judas priest, "eternity,
    though you might call it 'paradise.'"

    "i don't call it anything,"
    said frankie lee with a smile.
    "all right," said judas priest,
    "i'll see you after a while."

    well, frankie lee, he sat back down,
    feelin' low and mean,
    when just then a passing stranger
    burst upon the scene,
    saying, "are you frankie lee, the gambler,
    whose father is deceased?
    well, if you are,
    there's a fellow callin' you down the road
    and they say his name is priest."

    "oh, yes, he is my friend,"
    said frankie lee in fright,
    "i do recall him very well,
    in fact, he just left my sight."
    "yes, that's the one," said the stranger,
    as quiet as a mouse,
    "well, my message is, he's down the road,
    stranded in a house."

    well, frankie lee, he panicked,
    he dropped ev'rything and ran
    until he came up to the spot
    where judas priest did stand.
    "what kind of house is this," he said,
    "where i have come to roam?"
    "it's not a house," said judas priest,
    "it's not a house . . . it's a home."

    well, frankie lee, he trembled,
    he soon lost all control
    over ev'rything which he had made
    while the mission bells did toll.
    he just stood there staring
    at that big house as bright as any sun,
    with four and twenty windows
    and a woman's face in ev'ry one.

    well, up the stairs ran frankie lee
    with a soulful, bounding leap,
    and, foaming at the mouth,
    he began to make his midnight creep.
    for sixteen nights and days he raved,
    but on the seventeenth he burst
    into the arms of judas priest,
    which is where he died of thirst.

    no one tried to say a thing
    when they took him out in jest,
    except, of course, the little neighbor boy
    who carried him to rest.
    and he just walked along, alone,
    with his guilt so well concealed,
    and muttered underneath his breath,
    "nothing is revealed."

    well, the moral of the story,
    the moral of this song,
    is simply that one should never be
    where one does not belong.
    so when you see your neighbor carryin' somethin',
    help him with his load,
    and don't go mistaking paradise
    for that home across the road.


    (mybraveface - 14 Nisan 2005 18:49)

  • comment image

    bob dylan in kanimca en guzel,en damar,en ucuk,en dogru,en hayatin icinden,en hayatin otesinden,en zamanlar ustu sarkisi.


    (mybraveface - 20 Ocak 2006 18:35)

  • comment image

    sometimes a man must be alone and this is no place to hide dizesine sahip inanilmaz sarki...

    ayrica yes that is right , eternity, though you might call it paradise...

    birisi beni alsin buralardan...


    (mybraveface - 18 Haziran 2006 01:40)

  • comment image

    kesinlikle sarki sozu kavraminin siniridir. siir ile sarki sozu cogu zaman karisabilir ancak bu ornekte sarki sozlu diye kullanilan siirin de otesinde bir hayat ozetidir.kelimeler daha sonra biter.anlatabilen beri gelsin...


    (mybraveface - 18 Haziran 2006 01:43)