Süre                : 1 Saat 50 dakika
Çıkış Tarihi     : 14 Temmuz 1995 Cuma, Yapım Yılı : 1995
Türü                : Drama
Taglar             : Kadın çıplakları,Oyun temelli,Bağımsız film
Ülke                : ABD
Yapımcı          :  American Playhouse , KCET , Olmos Productions
Yönetmen       : Robert M. Young (IMDB)
Senarist          : Milcha Sanchez-Scott (IMDB),Milcha Sanchez-Scott (IMDB)
Oyuncular      : Edward James Olmos (IMDB)(ekşi), Sarah Lassez (IMDB), Sonia Braga (IMDB), Maria Conchita Alonso (IMDB)(ekşi), Danny Nucci (IMDB), Valente Rodriguez (IMDB)(ekşi), Mark Dacascos (IMDB), L. Ignacio Gameros (IMDB), Arin Pasquel Real (IMDB), Grace Keagy (IMDB), James Robert Lee (IMDB), Frank Soto (IMDB), William Warren (IMDB), Maud Winchester (IMDB), Luisa Leschin (IMDB), Bert Rosario (IMDB), Jesse Corti (IMDB), Efrain Figueroa (IMDB), Pepe Serna (IMDB), Leigh French (IMDB), Bridget Sienna (IMDB)

Roosters (~ Gallos de pelea) ' Filminin Konusu :
Roosters is a movie starring Edward James Olmos, Sônia Braga, and Sarah Lassez. Gallo Morales is the proud patriach returning home after a seven-year stint for manslaughter. Seeking to re-establish his legendary status as a champion...





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  • comment image

    millennium grubunun icindeki bir alt grup. owls ile catisma halindedirler. roosters, aynen teolojik belgelerin, incildeki ve diger dini kitaplarin isaret ettigi gibi kiyametin 2000 yilinda gelecegine inanmaktadirlar. kiyametten sonra yeni bir duzenin kurulacagina, safagin yeniden dogacagina olan inanclari, kelime anlami "horoz" olan bu ismi almalarina neden olmustur.


    (the 8th endless - 27 Nisan 2003 02:31)

  • comment image

    (bkz: elizabeth bishop)

    at four o'clock
    in the gun-metal blue dark
    we hear the first crow of the first cock

    just below
    the gun-metal blue window
    and immediately there is an echo

    off in the distance,
    then one from the backyard fence,
    then one, with horrible insistence,

    grates like a wet match
    from the broccoli patch,
    flares,and all over town begins to catch.

    cries galore
    come from the water-closet door,
    from the dropping-plastered henhouse floor,

    where in the blue blur
    their rusting wives admire,
    the roosters brace their cruel feet and glare

    with stupid eyes
    while from their beaks there rise
    the uncontrolled, traditional cries.

    deep from protruding chests
    in green-gold medals dressed,
    planned to command and terrorize the rest,

    the many wives
    who lead hens' lives
    of being courted and despised;

    deep from raw throats
    a senseless order floats
    all over town. a rooster gloats

    over our beds
    from rusty irons sheds
    and fences made from old bedsteads,

    over our churches
    where the tin rooster perches,
    over our little wooden northern houses,

    making sallies
    from all the muddy alleys,
    marking out maps like rand mcnally's:

    glass-headed pins,
    oil-golds and copper greens,
    anthracite blues, alizarins,

    each one an active
    displacement in perspective;
    each screaming, "this is where i live!"

    each screaming
    "get up! stop dreaming!"
    roosters, what are you projecting?

    you, whom the greeks elected
    to shoot at on a post, who struggled
    when sacrificed, you whom they labeled

    "very combative..."
    what right have you to give
    commands and tell us how to live,

    cry "here!" and "here!"
    and wake us here where are
    unwanted love, conceit and war?

    the crown of red
    set on your little head
    is charged with all your fighting blood

    yes, that excrescence
    makes a most virile presence,
    plus all that vulgar beauty of iridescence

    now in mid-air
    by two they fight each other.
    down comes a first flame-feather,

    and one is flying,
    with raging heroism defying
    even the sensation of dying.

    and one has fallen
    but still above the town
    his torn-out, bloodied feathers drift down;

    and what he sung
    no matter. he is flung
    on the gray ash-heap, lies in dung

    with his dead wives
    with open, bloody eyes,
    while those metallic feathers oxidize.

    st. peter's sin
    was worse than that of magdalen
    whose sin was of the flesh alone;

    of spirit, peter's,
    falling, beneath the flares,
    among the "servants and officers."

    old holy sculpture
    could set it all together
    in one small scene, past and future:

    christ stands amazed,
    peter, two fingers raised
    to surprised lips, both as if dazed.

    but in between
    a little cock is seen
    carved on a dim column in the travertine,

    explained by gallus canit;
    flet petrus underneath it,
    there is inescapable hope, the pivot;

    yes, and there peter's tears
    run down our chanticleer's
    sides and gem his spurs.

    tear-encrusted thick
    as a medieval relic
    he waits. poor peter, heart-sick,

    still cannot guess
    those cock-a-doodles yet might bless,
    his dreadful rooster come to mean forgiveness,

    a new weathervane
    on basilica and barn,
    and that outside the lateran

    there would always be
    a bronze cock on a porphyry
    pillar so the people and the pope might see

    that event the prince
    of the apostles long since
    had been forgiven, and to convince

    all the assembly
    that "deny deny deny"
    is not all the roosters cry.

    in the morning
    a low light is floating
    in the backyard, and gilding

    from underneath
    the broccoli, leaf by leaf;
    how could the night have come to grief?

    gilding the tiny
    floating swallow's belly
    and lines of pink cloud in the sky,

    the day's preamble
    like wandering lines in marble,
    the cocks are now almost inaudible.

    the sun climbs in,
    following "to see the end,"
    faithful as enemy, or friend.


    (fungess - 16 Nisan 2012 21:05)

Yorum Kaynak Link : roosters